SELECTED
#PROJECTDISCIPLINEYEAR
A1UNIVERSITY OF MELBOURNE LEARNING EXPERIENCESBRANDING, DIGITAL, PRINTUPCOMING
A2AUSTRALIAN QUEER HISTORIES CONFERENCE 2026BRANDING, DIGITAL, PRINTUPCOMING
A3MIFF26
BRANDING, DIGITAL, MOTION, PRINT2026

A4MIFF25
BRANDING, DIGITAL, MOTION, PRINT2025

A5MIFF24
BRANDING, DIGITAL, MOTION, PRINT2024

A6PRIMARY MOTION MOTION2023
A77-ELEVEN SMOOTHIE SCREENSDIGITAL, MOTION, ILLUSTRATION2022
A8SAMSUNG STORYTELLING WITH DATABRANDING, DIGITAL2022
A9MELBOURNE HOLOCAUST MUSEUM BRANDING, PRINT 2022
A10BOOK RUNNER BRANDING, DIGITAL, ILLUSTRATION2021
A11MAUD x MECCAILLUSTRATION2021
A12LUXE FLORARTBRANDING2021
A13BARBARA KRUGER MEMBERSHIPPRINT2019
A14CLOUD SERVICEBRANDING, EXHIBITION DESIGN, PRINT2019


PUBLICATIONS

#PROJECTARTISTYEAR
B1NOBODY KNOWS I’M GAYC.MOORE HARDY2026

B2TEN EIGHTYMATT DUNNE2026
B320,000 RETURN PHOEBE KELLY2024
B4DEATH OF AN IDEAPETER MILNE2023
B5WHAT ARE YOU LOOKING FOR?LUKE LE2021
B6THE ROYAL TOUR VINCENT NAMATJIRA2020
B7FIGURES OF SLIPPAGE AND OSCILLATIONIZABELA PLUTA2020
B8JUVENILIAPETER MILNE2020
B9COO-EE!CLAUDIA VAN EEDEN2019
B10END STREETNOEL MCKENNA2019
B11PELCI MANORSARAH WALKER2019


PRESS

#PROJECTARTICLEYEAR
1
WHAT ARE YOU LOOKING FOR?
NOWHERE DIARY
2023

22022
32022
42022
52022
62021
72021

AWARDS

#PROJECTAWARDYEAR
1MIFF26AGDA DESIGN AWARDS, BRAND & IDENTITY – FINALIST2026
22024
32023
42023
52023
62021

EDUCATION

#DEGREEGRADEYEAR
1
RMIT UNIVERSITY – BACHELOR OF MEDIA AND COMMUNICATION (HONOURS)
HONOURS FIRST CLASS
2017

2
RMIT UNIVERSITY – BACHELOR OF DESIGN (COMMUNICATION DESIGN)
DISTINCTION
2014–2016


© 2026 Sasha Taylor

I respectfully acknowledge the Wurundjeri People of the Kulin Nation as the Traditional Owners of the land on which I live and work, and I acknowledge that this land is unceded. I pay my respects to Elders past and present.

A4
  • MIFF25


I’ve worked on big projects as part of a team and rolled out plenty solo but MIFF 2025 was the first major campaign I conceptualised and designed on my own.
       This year’s campaign articulates the experience of seeing a truly transformative film. We might feel inspired, challenged, comforted or contemplative; regardless of our emotional response, we leave the cinema in a trance. Referencing modernism and the op art movement as well as MIFF campaigns from the 1960s and 1970s, abstract and colourful patterns fill the mind of an audience member, conveying the complex internal experiences that films open us up to. The audience member is looking up at the screen with anticipation, embracing all possibilities. These bold patterns are housed within a sleek layout to ensure balance and catch the eye of multiple demographics with varying tastes. The framing device creates gridded structure and consistency across each and every touchpoint. 
       Our 2025 campaign and tagline speak to the tonal difference of MIFF as a film festival. So much of what we watch on the couch is disposable, whereas MIFF’s diverse programming demands attention (and rewards it). It’s an experience rather than a distraction. Combined with this year’s attention-grabbing visuals, ‘Look Closer’ becomes an active and imperative phrase, pushing the audience on a journey. We’re verbally, visually and conceptually asking the audience to lean in.

Chief Executive Officer: Damien Hodgkinson
Commercial Operations Director: Vic Pope
Artistic Director: Al Cossar
Head of Marketing & Communications: Olivia Simon
Campaign Identity Creative Direction & Design: Sasha Taylor
Digital Content Manager: Jasmine Penman
Digital Content Assistant: Milla Rovere
Marketing Campaign Coordinator: Lizzy Carmine
Publications Manager: David Heslin
Program Guide Designer: Mikayla Winslow